====== Glenn Kotche at Bing Concert Hall, January 26, 2013 ====== [[http://glennkotche.com/|Glenn Kotche]]\\ [[http://live.stanford.edu/bingconcerthall/|Bing Concert Hall]]\\ Stanford University\\ [[http://maps.google.com/maps?q=327+Lasuen+St,+Palo+Alto,+CA&hl=en|327 Lasuen St, Palo Alto, CA]]\\ 8 PM, Saturday, January 26, 2013 [[2013-01-25-2|Back to the previous event]] ☸ [[:#section2013|Back to the 2013 yearbox]] ☸ [[:2013#january_events|Back to the 2013 event list!]] ☸ [[2013-01-27|On to the next event!]] ===== Set One ===== [8:01 PM lights down, introduction by Jenny Bilfield] === Individual Trains: a short film by (?) set to music by Glenn Kotche === [8:10 PM ends, short talk by Glenn] === Monkey Chant === A solo percussion piece telling the epic Ramayana tale, performed and composed by Glenn Kotche, with accompanying shadow-puppet film by (?) [8:29 PM ends, pause] === John Luther Adams: Drums of Winter === Work for percussion quartet, performed by Andrew Meyerson, Doug Chin, McKenzie Camp and Erika Johnson [8:30 PM, set ends] ===== Set Two ===== [8:59 PM, lights down] === John Luther Adams: Illimaq “Spirit Journeys” (West Coast premiere), performed by Glenn Kotche === [show ends 9:49 PM] ===== the Performers ===== * McKenzie Camp: percussion; * Doug Chin: percussion; * Erika Johnson: percussion; * Glenn Kotche: percussion; * Andrew Meyerson: percussion;\\ with assitance by * Jody Elff: sound designer. ===== Notes ===== To my ears, the sound is much improved tonight over my first two visits. Could be the spare instrumentation, I dunno. Anyways, I'm a very happy listener! While I found //Individual Trains// to be a rather uninspiring film, I liked the soundtrack, especially the sections with spatial echos; it seemed to me that delay loops were being used to send bits of sound swirling here and there around the hall. Very cool! By contrast, //Monkey Chant// was a bit more engaging, mainly because it presented a story rather than abstract visual collage effects. And it probably also helped that I had a vague idea what the story was about, although I'm sure that compressing the epic poem into a film less than 20 minutes long required a considerable amount of narrative editing! //Drums of Winter// was OK, but didn't really stand out to me as anything special ... maybe I need to hear it again for a reevaluation. In her introduction, Jenny Bielfeld tried to make a case for the piece being special because it was being performed by Stanford alums or students, but I think the aural experience ought to be paramount, and I just didn't really register anything special in that respect. The second set première of John Luther Adams //Illimaq// was a real treat. To me, the work did a great job of conjuring up an aural impression of wild Alaska, building up to a dramatic storm section while Glenn whaled away on his trap set, then tapering off to the quiet wind sounds of the cymbal set for the last section of the piece. Bravo! {{tag>music Glenn_Kotche Bing_Concert_Hall McKenzie_Camp Doug_Chin Erika_Johnson Andrew_Meyerson Jody_Elff}} [[2013-01-25-2|Back to the previous event]] ☸ [[:#section2013|Back to the 2013 yearbox]] ☸ [[:2013#january_events|Back to the 2013 event list!]] ☸ [[2013-01-27|On to the next event!]]