# New Century Chamber Orchestra at First Congregational Church on April 4, 2013

[New Century Chamber Orchestra](http://ncco.org/)  
2013-04-04  
First Congregational Church  
[Berkeley, CA](http://maps.google.com/maps?q=2345+Channing+Way,+Berkeley,+CA&hl=en)  
8:00 PM, Thursday, April 4, 2013

## ♪♫ Set One ♫♪

[8:02 PM lights down, pause a moment, then musicians take the stage]  

### Osvaldo Golijov (b. 1960): Last Round (1996)

1. Movido, urgente
2. Muertes del Angel: Lentismo  
[8:18 PM ends; RV slide to C; pause to add the piano and reset the stage; 8:23 PM go!]

### Wolfgang Amadeus Mozart (1756-1791): Piano Concerto No. 12 in A major, K. 414 (1782)
 
1. Allegro
2. Andante
3. Allegretto  
[set ends 8:53 PM]

## ♪♫ Set Two ♫♪
[9:15 PM lights down]

### Ernest Chausson (1855-1899): Concert for piano, violin, and string quartet in D major, Op. 21 (1891)

1. Décidé
2. Sicilienne: Pas Vitae
3. Grave
4. Très animé  
[set ends 9:58 PM]


## ♀♂ the Performers ♂♀

* Hrabba Atladottir: 1st violin;
* Kathleen Balfe: cello;
* Robin Bonnell: cello;
* Jenny Douglass: viola;
* Candace Guirao: principal 2nd violin;
* Anna Kruger: principal viola;
* Anthony Manzo: principal bass;
* Robin Mayforth: 2nd violin;
* Issac Melamed: acting principal cello;
* Deborah Tien Price: 2nd violin;
* Evan Price: 1st violin;
* Cassandra Lynne Richburg: viola;
* Nadja Salerno-Sonnenberg: 1st violin, music director;
* Iris Stone: 1st violin;
* Michael Yokas: 2nd violin;  
- with special guest -
* Anne-Marie McDermott: piano.


## ☺ Notes ☺
Peter Laki's [program notes](http://ncco.org/concert-tickets/2012-2013-season/program-3-anne-marie-mcdermott-returns/program-notes/)

Golijov's work was quite the peppy opener, so lively, in fact, that I thought it might have been better placed as the show closer.

By contrast, the succeeding Mozart concerto was light and airy, like a merangue or an angel food cake. Delicious to consider, but hardly substantial enough for sustenance. 

Indicative of the change in the piano's role, for the last work on the program, Chausson's Op. 21, the instrument was moved to the back of the stage. Here we heard a work that integrated the piano deftly with the string ensemble, expanded here from a chamber quartet to the significantly larger NCCO. I think the approach worked great at filling out the acoustic of the largish concert space, as well as adding string ensemble depth to better counterbalance the auditory volume of the piano.

And a funny incident: at the end of the Chausson, Nadja finishes with a grand flourish, and the audience begins to applaud tepidly, with only one or two folks standing up. So she gives us a big glare, then waves her bow with the same “all rise” motion she uses with the group, only this time, waving at the audience as if to say “get up off of your keisters and show us some love!” Classic!

{{tag>music New_Century_Chamber_Orchestra First_Congregational_Church Nadja_Salerno-Sonnenberg Anne-Marie_McDermott Golijov Mozart Chausson}}