# Swept Away! at Berkeley Rep Peet's Theatre, February 23, 2022 [Berkeley Repertory Theatre](https://www.berkeleyrep.org/shows/swept-away/) presents _**Swept Away!**_, featuring music and lyrics by [the Avett Brothers](https://www.theavettbrothers.com/), book by John Logan [Peet's Theatre](http://berkeleyrep.org/) [2025 Addison St, Berkeley, CA 94704-1103 USA](http://maps.google.com/maps?q=2025+Addison+St,+Berkeley,+CA+94704-1103+USA&hl=en) 7:00 PM, Wednesday, February 23, 2022 [[2022-02-22|Back to the previous event!]] ☸ [[:#section2022|Up to the 2022 yearbox!]] ☸ [[:2022#February_events|Up to the 2022 event list!]] ☸ [[2022-02-24|On to the next event!]] [{{:2022:2022-02:20220223_promo_poster.jpeg?300|promo poster (2022)}}] [{{:2022:2022-02:20220223_original_promo_poster.jpg?266|pre-production promo poster (2020)}}] ## One Act [6:57 PM] {We take our seats in the crowded theatre.} {A curtain hides the back half of the stage. In front of the curtain, a bandaged man lies unmoving on a hospital bed.} {It's apparent that he's breathing, but he lies there, asleep or completely indifferent to his circumstances.} {We wait awhile for stragglers...} [7:08 PM] {lights down, the music begins... Scene 1: the consumption ward at a hospital} 01. [7:08 PM] {the Mate begins to tell his story} {flashback more than a few years, to the ship, 02. [7:11 PM] _Go to Sleep_ (core four) 03. [7:15 PM] _Hard Worker_ (Mate & company) 04. [7:18 PM] _Nothing Short of Thankful_ (brothers) 05. [7:24 PM] _Hard Worker_ (reprise) 06. [7:27 PM] _Swept Away_ (LB & Mate) 07. [7:32 PM] _Lord Lay Your Hand On My Shoulder_ (Big Brother) 08. [7:35 PM] _Ain't No Man_ (Mate) 09. [7:38 PM] _May It Last_ (Captain) 10. [7:45 PM] _Murder in the City_ (Little Brother) {Storm & shipwreck ... lights out ... in the lifeboat} 11. [7:48 PM] _Complainte d'un Matelot Mourant_ 12. [7:56 PM] _A Gift for Melody Anne_ (Little Brother) {the core four relate their last letters} 13. [8:02 PM] _Through My Prayers_ (core four) 14. [8:09 PM] _Satan Pulls the Strings_ (Mate) 15. [8:20 PM] _No Hard Feelings_ (brothers) 16. [8:30 PM] _Once and Future Carpenter_ (Mate) [8:34 PM] {show ends; bows from the performers, then all run off after a minute or so and the audience slowly files out of the theatre} ## Performers * [Wayne Duvall](https://www.wayneduvallactor.com/): _Captain_; * Adrian Blake Enscoe: _Little Brother_; * John Gallagher, Jr.: _Mate_; * Stark Sands: _Big Brother_. ### Additional Cast * Taurean Everett: ensemble; dance captain; * Cameron Johnson: ensemble; understudy for _Big Brother_ & _Little Brother_; * Brandon Kalm: understudy for _Big Brother_ and _Little Brother_; * Robert Pendilla: swing; * Ben Toomer: swing; * Vishal Vaidya: ensemble; understudy for _Mate_; * Ryan Watkinson: understudy for _Mate_ & _Captain_; * Jacob Keith Watson: ensemble; understudy for _Captain_; ### Band * Stephen Danksa: acoustic guitar; * [Daniel Fabricant](https://www.danielfabricantmusic.com/): contrabass, bass; * Joshua Mikus-Mahoney: cello; * [Charith Premawardhana](https://www.classicalrevolution.org/): violin; * [Lane Sanders](https://www.lanesanders.com/): drums; * [Burke Trieschmann](http://www.opendoorprod.com/): guitar, banjo. ### Production Credits * [the Avett Brothers](https://www.theavettbrothers.com/): music and lyrics; * Kai Harada: sound design; * John Logan: book; * Michael Mayer: director; * [Chris Miller](http://www.millerandtysen.com/) & [Brian Usifer](http://www.brianusifer.com/): music arrangements & orchestration; * [David Neumann](https://www.advancedbeginnergroup.org/): choreography; * Julie Wolf and Sean Kana: music direction; * many others listed in the digital program! ## Notes Tonight's show was darn good. For the most part, the time went by faster than I expected: there wasn't much in the way of fluff in this production. No tangents just to pack in a musical number or two while telling someone's back story. Just follow the story-teller's arrow speeding straight for the bulls-eye at the end of the course. Although rather brief (mind that arrow!), the ensemble portion of the show was really well done: with good songs, great choreography, and fine acting from both the principals and the company. It's the mark of a good show when you look around and *everyone* onstage is doing something interesting enough to pay attention to -- which is impossible, unless you're an eight-eyed spider! I'm not sure whether the sound design and electronic (?) or pre-recorded (?) elements of the show should be credited to Miller & Usifer or someone else. My naive thought it that those would have come from a keyboard player, but it could just as easily be someone hitting triggers of some sort on a laptop. Anyways, NONE of the musical performers were visible to us at any time, nor did they come forward at the end of the show. Heck, for all I know, the whole darn thing could have been done by playback from a pre-recorded soundtrack that the actors managed to sync themselves to. It might take some of the magic away to know how that part of the show was done, but I'm curious... Uh so, should you go? If you like the old-timey music of the Avett Brothers, then HELL YEAH! Don't like music-based theatre? You'll want to skip it. This one's not ALL music, but the show wouldn't really exist without the songs that propel the story along, and you need to be able to parse the lyrics on the fly to follow the story. If you don't care about the music, but you like live theatre, well, uh, yup, you'll probably like this one: I haven't really seen anything like it before (novelty is a good thing, right?). I wouldn't be surprised if this ends up on Broadway in the near future. [Program Notes](https://www.berkeleyrep.org/shows/swept-away/program/). [Broadway World](https://www.broadwayworld.com/article/Photos-Get-A-First-Look-At-The-Avett-Brothers-Musical-SWEPT-AWAY-20220119) posted a terrific promo article of the show, teasing a setlist (transcribed above) and offering many excellent pictures. Playright John Logan and actor John Gallagher talk about the show in [this 45-minute podcast](https://www.theroadtonow.com/episodes/swept-away-w-john-logan-and-john-gallagher/). Charles Lewis posted a [review](https://48hills.org/2022/01/review-swept-away-bluegrass-shanties-on-high-seas-until-a-shocking-twist/) of the play at 48hills. Does he give things away? A little bit. But if you know the story of the Mignonette (the true story that the Avett Brothers used as the basis for their album of the same name, now somewhat adapted into this show), there's not much to hide. Want to read about *that*? [Try this article from 2017!](https://wrvu.org/mignonette-the-story-behind-the-name-of-that-album-some-guys-made/). ## Photos Big thanks to Ting for the photo gallery! {{gallery>:2022:2022-02?20220223-*.jpg}} {{:wip.png?nolink}} **Whoa!** This section is incomplete for now, sorry! {{:wip.png?nolink}} {{tag>music theater Wayne_Duvall Adrian_Blake_Enscoe John_Gallagher,_Jr. Stark_Sands Peet's_Theatre Stephen_Danksa Daniel_Fabricant Joshua_Mikus-Mahoney Charith_Premawardhana Lane_Sanders Burke_Trieschmann}} [[2022-02-22|Back to the previous event!]] ☸ [[:#section2022|Up to the 2022 yearbox!]] ☸ [[:2022#February_events|Up to the 2022 event list!]] ☸ [[2022-02-24|On to the next event!]]