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New Century Chamber Orchestra at First Congregational Church, May 12, 2022

NCCO performs with featured guest soloist, Paul Neubauer
First Congregational Church
2345 Channing Way, Berkeley, CA 94704-2201 USA
7:30 PM, Thursday, May 12, 2022

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promo image

Set One

[7:31 PM] {Greetings from Richard Lonsdorf, NCCO Executive Director}
[7:33 PM] {applause for NCCO entrance}
[7:34 PM] {Greetings from Daniel Hope}

Mozart: Symphony in B-flat Major, K. 45b

Wolfgang Amadeus Mozart (1756–1791): Mozart: Symphony in B-flat Major, K. 45b (ca. 1768)

  1. [7:35 PM] Allegro
  2. [7:37 PM] Andante
  3. [7:41 PM] Menuetto - Trio
  4. [7:44 PM] Allegro
    [7:47 PM] {work ends; applause; pause}

[7:48 PM] {Daniel Hope introduces PN and the next work}

Mozart: Sinfonia Concertante, K. 364

Mozart: Sinfonia Concertante in E flat Major for Violin, Viola and Orchestra, K. 364 (1779)

  1. [7:52 PM] Allegro maestoso
  2. [8:03 PM] Cadenza (composed by Lionel Tertis, ca. 1920, based on one by Joseph Hellmesberger)
  3. [8:07 PM] Andante
  4. [8:18 PM] Presto
    [8:24 PM] {work ends; applause}

Duo Encore: Koechlin: Idylle

[8:25 PM] {pause for PN to adjust his viola back down to standard tuning}
[8:25 PM] {DH introduces the encore duet}

  1. [8:25 PM] Charles Koechlin (1867–1950): Idylle, Op.155bis (1936)
    [8:27 PM] {work ends; applause} [8:28 PM] {set break!}

Set Two: Mozart: Symphony No. 40 in G minor, K. 550 (1788-91)

[8:48 PM] {lights down, announcements, performers out}

  1. [8:50 PM] Molto allegro
  2. [8:58 PM] Andante
  3. [9:08 PM] Menuetto
  4. [9:11 PM] Allegro assai
    [9:18 PM] {set ends; applause; DH back and forth for curtain-less calls}
    [9:20 PM] {show ends: no terminal encore tonight!}

Performers

New Century Chamber Orchestra

New Century Chamber Orchestra

Special Guest

Notes

Tonights show was pretty good!

I especially enjoyed the Sinfonia Concertante with Paul Neubauer; I'm not sure that I've seen him before, nor heard that work. Both experiences were outstanding! I can understand why some reviewers complained that the insertion of the Tertis/Hellmesberger cadenza was out of character with the rest of the work – it's pretty easy to tell that part isn't Mozart! – but on the other hand, both Hope and Neubauer clearly enjoyed playing it, and as it clearly called for a pair of virtuosi, it's not likely that I'll get too many chances to hear it again. I thought it was extra sharp of Daniel Hope to follow that with the tranquility of the Koechlin: Idylle – kinda like the kiss goodnight at the end of a hot date, right?

program notes

Steve Winn posted a review with SFCV.

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