Reference Equipment List

Presented for ease in usage for cut/paste into SRCCHAIN and XFRCHAIN tags.

Microphones

Listed by Manufacturer name.
Links to Manufacturer sites may eventually be added to this list, but have been omitted for expediency.

Mics A-B

ADK A-51 TL multipattern transformerless large diaphragm side address mics (ORTF, hypercardiod setting) ►
Aiwa CM 30 stereo electret microphone * AKG C33 cardiod stereo mic (modified by Stephen Paul Audio; XY, angle unknown; location unknown) ►
AKG C61 tubed mic, ?CK 1 cardioid capsules?, XY front and center ►
AKG CK62 omnidirectional capsules (Jecklin Disk, 1st row, TS) + JKLabs ECMS-22 active cables ►
AKG CK63 hypercardioid capsules ► active cables ►
AKG CK63 hypercardioid capsules (DIN, 1st Row of TS) + JKLabs ECMS-22 active cables ►
AKG SE 300 B + CK 91 cardioids (X/Y, ~12 ft high, DFC, FOB) ► = 391
AKG SE 300 B + CK 92 omnidirectional capsules (Jecklin disk config; Directly FOB - about 150'back, 12' high) ► = 392
AKG SE 300 B + CK 93 hypercardioids (X/Y, ~12 ft high, DFC, FOB) ► = 393
AKG 414 (onstage placement) ►
AKG 414 B-XLS/ST (onstage placement) ►
AKG C 450 + CK 61 cardioids (DIN, ~9 ft high, DFC, FOB) ► = 451
AKG C 460 + CK 61 (Modified) cardioids (DIN, ~9 ft high, DFC, FOB) ► = 461
JWmod AKG C 460 + CK 69 short shotguns (OTS/DFC Std. at 8 feet) ► = 469
AKG C 480 B + CK 61 cardioids (15cm, 90º, ~9 ft high, FOB, DFC) ► = 481
AKG C 480 B + CK 63 hypercardioids (15cm, 90º, ~9 ft high, FOB, DFC) ► = 483
AKG C 1000 S cardioid/hypercardioid capsules ►
AKG C 3000 cardioid large-diaphragm microphone ►
AKG C 3000 B cardioid large-diaphragm microphone ►
AKG D 1000 E cardioid microphones (hand-held, ~15 rows from stage, on center axis) ►
AMS/Calrec Soundfield (company name changed several times) ST250 ambisonic microphone array ► AMS Control Box ►
Audio Technica AT822 AT825 single point X/Y cardioid stereo microphone (150 Hz, 6 dB/octave bass roll-off enabled) ►
Audio Technica AT831 miniature cardioids (clipped to shirt collar - 40' from Left PA stack, among the crowd) ►
Audix M1290 cardioids (DIN, ~8 ft high, FOB, DFC) ►
Audix CX-111 large-diaphragm cardioids (15cm, 90º, ~9 ft high, FOB, DFC) ►
Avantone Audio CK-1 + small-diaphragm cardioid hypercardioid omnidirectional (pick one!) capsules (15cm, 90º, ~9 ft high, FOB, DFC) ►
Behringer B-5 w/cardioid/omni capsules (pick one!), flat/-10 dB attenuation ON (positioning details unknown) ►
Beyerdynamic M 88 hypercardioids (Taper's Section, Sec 110 Row 9, Seat 9) ►
Beyerdynamic MC 833 cardioid stereo microphone (FOB, 12'high, XY or MS config unknown) ►
Beyerdynamic MC 930 cardioids (FOB, 12'high, config unknown) ►
Blue Microphones Dragonfly cardioids (configuration and location unknown) ►
Busman Audio BSC1 multi-pattern small condenser stereo microphones (omnidirectional, wide-angle cardioid, cardioid, hypercardioid; NOS, ~1' R of SBD) ►

Mics, C-M

Church Audio STC-11 microphone bodies + cardioid omni capsules (configuration and location unknown) ►
Church Audio CAFS omnidirectional microphones (configuration and location unknown) ►
Core Sound Binaurals (w/bass roll-off filter, 9' high, ~10' from Stage R PA) ►
Core Sound High-end Binaurals (AKA DPA 4061 omnis) ►
Crown CM-700MP matched cardioid condensers (FOH) ►
Crown SASS-P MK II Stereo PZM microphone (on stage) ►
DPA 4011 cardioids (X/Y, DFC, clamped to loge light rail, ~30' from stage) ►
DPA 4021 4022 cardioids (X/Y, DFC, clamped to loge light rail, ~30' from stage) ►
DPA 4023 cardioids (~110 º, 10 cm, 9th Row, 6-9 ft high, DFC) ►
DPA 4027 wide cardiods (NOS, front right corner of SBD) ►
DPA 4060 4061 4062 miniature omnidirectional mics (spaced +/-18“, 25 feet from stage, off to one side) ►
Earthworks SR30 SR71 SR77 cardioids (configuration and location unknown) ►
Electro-Voice RE-15 supercardiods ►
Fostex MC10ST cardioids (FOB, DFC) ►
Gefell M94 cardioid capsules + MV 692 (mic body, modifed for 48V) (configuration and location unknown) ►
Josephson C42MP cardioids at lip of stage ►
MarcSounds binaural omnidirectional microphones ►
Marshall Electronics MXL 990 side address cardioids (onstage) ►
Marshall Electronics MXL2003 side address cardioids (w/Royer Mod, ORTF, unknown location) ►
MBHO KA-200N cardioid capsules (DINA, FOB right side, 7' high) + MBHO MBP-603A active body microphone amplifiers ►
Microtech Gefell MG20 cardioids (hung from rafter about 8ft high, center of room) ►
Microtech Gefell M200 small cardioids (ORTF, center balcony) ►
Microtech Gefell M210 small hypercardioids (ORTF, 3rd Drink Rail, DFC) ►
Microtech Gefell M270 small omnidirectionals (ORTF, 3rd Drink Rail, DFC) ►
Microtech Gefell M300 small cardioids (ORTF, center balcony) ►
Microtech Gefell M300 small cardioids (unknown location, configuration) ►
Milab VM44-link cardioids (DIN) ►

Mics, N-R

Nakamichi CM-100 300 + CP-1 cardioids (rebranded Teac ME-80) ►
Nakamichi CM-100 300 + CP-2 omnidirectional CP-3 super omnidirectional capsules ►
Nakamichi CM-100 300 + CP-4 shotgun capsules (Front row balcony, dead center) ►
Nakamichi CM-700 + CP-701 cardioid capsules (Front row balcony, dead center) ►
Nakamichi CM-700 + CP-703 shotgun capsules (Front row balcony, dead center) ►
Neumann AK30 omnidirectional capsules (unknown location) ►
Neumann AK30 omnidirectional capsules (Jecklin Disc Recording, FOB, DFC) ►
Neumann AK40 cardioid capsules (X/Y 90º, 10' from stage, ~7' high) + LC 3 KA passive cables + KM 100 bodies ►
Neumann AK43 wide-angle cardioid capsule (DIN A) + LC 3 KA passive cables + KM 100 bodies ►
Neumann AK50 hypercardioid capsule (DIN A) + LC 3 KA passive cables + KM 100 bodies ►
Neumann KM-86 ►
Neumann KM-140 cardioids (in hat, ~110º, fob) ►
Neumann KM-140 cardioids (~90º, 10' high, ~60' back, DFC) ►
Neumann KM-184 cardioids (X/Y, unknown location) ►
Neumann KM54 cardioids (at the center sweet spot) ►
Neumann KM254 cardioids (at the center sweet spot) ►
Neumann KMF4i cardioids (in Hat at the Drink Rail, just Right of Center) ►
Neumann SKM-184 cardioids (DIN FOB C) ►
Neumann TLM 103 large diaphragm multipattern microphones (omnidirection, subcardioid, cardioid, hypercardioid, figure 8; DIN FOB C) ►
Neumann U89 U89i large diaphragm switchable condenser microphones (figure-8, hypercardioid, cardioid, subcardioid, omni) (cardioid, DIN, FOB, DFC) (omni, 30' split, ~15' FOB) ►
Oade Brothers miniature binaural omnidirectional microphones ►
Oktava MC-012 cardioids hypercardioids ►
Peluso CEMC6/CK-4 cardioids (DIN, ~7' high, FOB, DFC, ~50' from stage) ►
Rode NT4 Stereo Condenser Microphone (cardioid, X/Y, on stage) ►

Mics, S-Z

Schoeps CCM4 cardioids (?in hat?) ►
Schoeps CCM4v side-address cardioids (DIN, 7' high, 18' from stage, FOB DFC) ►
Schoeps Mk2 omnidirectional capsules + CMC4 mic bodies (TS, spaced ~18') ►
Schoeps Mk21 subcardioid capsules (split 12 feet @ 30 degrees) + Schoeps KC5 active cables ► Schoeps CMC6 mic bodies ►
Schoeps Mk22 open cardioid capsules (21 cm @ 110 degrees, 14th row (row N, seat 2), DFC) + Schoeps KC5 active cables ► Schoeps CMC6 mic bodies ►
Schoeps Mk4 cardioid capsules (FOH) + Schoeps KC5 active cables + Schoeps CMC6 mic bodies ►
Schoeps Mk4 cardioid capsules (FOB, DFC, clamped to FOH pole @ 8.5' high) ►
Schoeps Mk4 cardioid capsules + CMC6 mic bodies (barely FOB, aimed to outside of PA) ►
Schoeps Mk4 cardioid capsules (FOH, unknown positioning/location) ►
Schoeps Mk4v side-address cardioid capsules (DIN) + KC5 KCY active cables + VST 62 IUg Phantom-Powered Stereo Microphone Amplifier ►
Schoeps Mk4v side-address cardioid capsules (unknown config) + CMR microphone amplifier ►
Schoeps Mk41 hypercardioid capsules (DIN) + custom KC5 active cables ►
Schoeps Mk41 hypercardioid capsules + CMC6g mic bodies (barely FOB, aimed to outside of PA) ►
Schoeps Mk41 hypercardioid capsules + CMC6g mic bodies (positioning details unknown) ►
Schoeps Mk41v side-address hypercardioid capsules (AB) + KC5 active cables ►
Schoeps Mk5 multipattern capsules (cardioid setting, DINA - 17 cm, 90º, 3' RoC, ~6.5' high, ~40' back at first rail overlooking pit) + Schoeps KC5 active cables ► Schoeps CMC6 mic bodies ►
Schoeps M 221 221B 222 tube microphone bodies ►
Schoeps Mk8 figure-8 capsules (Blumlein, onstage) + KC5 active cables + CMC6 mic bodies ►
Sennheiser e835S cardioid Performance Vocal Microphone ►
Sennheiser K3u/ME80 cardioids ►
Sennheiser MD421 I II cardioid (DFC, 40' from stage, ~18' high) ►
Sennheiser MD441 supercardioid (DFC, 40' from stage, ~18' high) ►
Sennheiser ME40 cardioid capsules + K3U mic bodies ►
Sennheiser ME66 short shotgun + K6 powering module (taper section, ~5' LoC, 12' high) ►
Sennheiser ME80 supercardioid (shotgun) capsules + K3U mic bodies ►
Sennheiser MKE2 miniature omnidirectional mics ►
Sennheiser MKH8040 cardioids (DFC, 25' from stage, config unknown) ►
Shure SM81 cardioids (config details unknown) ►
Sonic Studios DSM-1 omnidirectional binaural microphones (unknown positioning/location) ►
Sonic Studios DSM-6 omnidirectional binaural microphones (unknown positioning/location) ►
Sonic Studios DSM-6S Signature Series omnidirectional binaural microphones (1st Row, three seats to Stage Right of center aisle) ►
Sony ECM-18N electret condensor mics (hand held, 15th row) ►
Sony ECM-22P cardioid electret condenser microphone (FOB) ►
Sony ECM-99 one-point stereo electret condensor mics (hand held, 15th row) ►
Sony ECM-101B mics (onstage) ►
Sony ECM-220 omnidirectional electret condenser microphone (mono, other details unknown) ►
Sony ECM-280 microphones (details unknown) ►
Sony ECM-DS70P unidirectional stereo electret condenser microphone (details unknown) ►
Sony ECM-717 one-point cardioid stereo mic, 3' from stage, DFC ►
Sony ECM-727 stereo electret condenser cardioid stereo microphone (X/Y, 120º, 3' from stage, DFC) ►
Sony ECM-909 -909A stereo electret condenser cardiod microphone (X/Y, 90º/120º) ►
Sony ECM-MS907 MS957 stereo mid-side microphone (90º/120º) ►
Sony ECM-929LT -959A stereo electret condenser omnidirectional microphone (X/Y) ►
Sony ECM-990 stereo electret condenser microphone (X/Y 90º/120º/150º/180º, balcony rail, stage left) ►
Sony F-98 (dynamic) cardioid mics ►
Soundman OKM II binaural microphones ►
Soundman OKM II K Studio binaural microphones ►
Soundman OKM II R Studio Rock binaural microphones ►
Sound Professionals SP-CMC-4 cardioids (matched AT853 lapel mics) ►
Sound Professionals SP-CMC-8 cardioids (stereo matched Audio Technica ES943/C lapel mics, on stand, ~6' high, ~6' from stage, DFC) ►
Sound Professionals SP-CMC-10 hypercardioids (matched AT853 lapel mics) ►
Sound Professionals SP-CMC-18 supercardioids (matched Shure Microflex MX184 lavalier mics) ►
Studio Projects LSD2 (blumlein, FOB) ►
Studio Projects SP-C4 cardioids/omnis ►
Teac ME-80 cardioids ►
TOA KY cardioids (~90º, 10' high, ~60' back, DFC) ►
Violet Design Black Finger cardioids (DIN (90 degrees, 20cm), reflection ring at mid body, at SBD, DFC, 40' from stage, 8' high) ►

Pre-amps, Mic Power Supplies and Mixers

Ostensibly, these items follow microphones in the recording source chain.

Pre-amps, etc, A-O

AETA PSP3 Pre/PS ►
Allen & Heath Mix Wizard Series Three WZ^3 14:4:2 14-channel, 4 bus mixing desk ►
Ampex MX10 Mixer ►
Apogee Mini-ME -MP Pre/PS/A>D @ 16 24-bits, 44.1 48 96 kHz ►
Behringer Eurorack UB1202 Ultra Low-Noise Design 12-Input 2-Bus Mic/Line Mixer ►
Beyerdynamic MV100 Pre/PS ►
Bryston BMP2 Pre/PS ►
Church Audio CA- ST- STC- 9100 Pre/PS ►
Core Sound battery box PS (120 Hz bass roll-off ON OFF ?) ►
Core Sound Mic2496 dual mic pre/A>D @ 24-bits, 44.1 kHz ►
Denecke PS-2 ► Denecke AD-20 Pre/A>D @ 44.1 kHz ►
DPA MMA6000 Miniature Two Channel Microphone Preamplifier ►
EAA PSP 2 3 Pre/PS ►
Edirol/Roland UA-1A D EX X USB Audio Interface @ 16 24-bits, 32 44.1 48 96 kHz (analog optical S/PDIF USB in/out) ►
Edirol/Roland UA-5 Pre/PS/A>D with Oade D mod @ 16 24-bits, 44.1 48 kHz (analog coax optical S/PDIF USB in/out) ►
Edirol/Roland UA-5 Pre/PS/A>D with Oade T+ mod @ 16 24-bits, 44.1 48 kHz (analog coax optical S/PDIF USB in/out) ►
Edirol/Roland UA-5 Pre/PS/A>D with Oade Warm mod @ 16 24-bits, 44.1 48 kHz (analog coax optical S/PDIF USB in/out) ►
Edirol/Roland UA-5 Pre/PS/A>D @ 16 24-bits, 44.1 48 kHz (analog coax optical S/PDIF USB in/out) ►
Grace Design Lunatec 316 Pre/PS ►
Grace Design Lunatec V2 Pre/PS ►
Grace Design Lunatec V3 Pre/PS/A>D analog output, HPF 0 1 2 @ 16 24-bits, 44.1 48 88.2 96 176.4 192 kHz (S/PDIF coax optical out) ►
HPF (high pass filter) settings key: 0 = none; 1 = 50 75 Hz; 2 = 100 125 Hz; slope = 6 12 dB/octave (all determined by internal jumpers)
Graham Patten DMIC-20 Pre/PS/A>D @ 44.1 kHz ►
Hamptone HVTP2 Stereo Tube Preamp ►
Hosa MIT-435 XLR female LO-Z to 1/4” Male HI-Z Impedance Transformer ►
JK Labs DVC Pre/PS ►
Luminous Audio Technology P/S ►
NBox NBox+ custom Pre/PS ►
Naiant Tinybox custom Pre/PS ►
Naim Audio NAC-52 preamp ►
Nakamichi MX-100 3-channel mixer ►
Neve Portico 5012 Duo Mic Preamp ►
Neumann BS 48 i-2 channel PS ►
Neumann N248 2 channel PS ►
Oade m148 m248 Pre/PS ►

Pre-amps, etc, P-Z

Pearl 18V PS ►
Jamie Porus custom Pre/PS ►
PreSonus DigiMax 96 (8-channel Pre/PS/A>D) @ 24-bits, 48 kHz ►
PreSonus Firebox (6-in/10-out Pre/PS/A>D) @ 24-bits, 96 kHz ►
Reutelhuber active cables + Rbox custom Pre/PS ►
Rolls PB224 Dual Phantom Power Adaptor ►
Samson Audio Mixpad 4 compact mixer/PS/Pre ►
Schoeps NT 222 DC power supply ►
Schoeps VMS 02 IB preamp/PS/Mid-side matrixer ►
Schoeps VMS 5 U Pre/PS/Mid-side matrixer ►
Shure FP42 4-Channel Stereo Microphone Mixer ►
Sonosax SX-M2 Pre/PS ►
Sonosax SX-M2/ls (lemosax) Pre/PS ►
Sound Devices MixPre Compact Field Mixer ►
Sound Devices MP-2 Portable Stereo Microphone Preamplifier ►
Sound Professionals SP-6 stereo microphone preamp ►
Sound Professionals SPSB-1 Slimline Battery Module ►
Sound Professionals SPSB-1 Slimline Battery Module w/no bass roll-off @ 95/107 Hz ►
Sound Professionals SPSB-5 stereo microphone preamp/PS w/no bass roll-off @ 95/107 Hz ►
Sound Professionals SPSB-6 Mini Battery Module ►
Sound Professionals SPSB-7 Super Battery Module stereo microphone preamp/PS w/no bass roll-off @ 95/107 Hz ►
Sound Professionals SP-Preamp ►
Stewart BPS-1 PS ►
T.C. Electronic D-Two Multitap Rhythm Delay ►

A>D and format converters

These could have been tossed into the last major section (other hardware), but well, they started out in a separate list, so separate they remain!

Apogee AD1000 Pre/PS/A>D @ 16-bits, 44.1 kHz ►
Apogee Mini-ME Pre/PS/A>D @ 16 24-bits, 44.1 48 96 kHz; USB S/PDIF coax AES/EBU out ►
Benchmark AD2402-96 @ 16, 24-bits, 44.1 48 88.2 96 kHz ►
Benchmark AD2K+ @ 24-bits, 48 kHz ►
Benchmark AD2K+ @ 24-bits, 48 kHz with NS3 WLR to 16-bits ►
Benchmark AD2K+ @ 24-bits, 96 kHz ►
Core Sound PDAudio-CF S/PDIF Interface Card in HP iPaq 3835 ►
Grace Design Lunatec V3 Pre/PS/A>D @ 24-bits, 48 kHz ►
Graham Patten DMIC-20 Pre/PS/A>D @ 44.1 kHz ►
Hosa ODL-312 digital format converter (AES/EBU > optical) ►
M-Audio CO2 coax>optical converter ►
M-Audio/Midiman Flying Cow A>D @ 24-bits, 48 kHz ►
Mackie Onyx 400f 4-channel preamp/PS/A>D @ 24-bits, 96 kHz (firewire out) ►
Mark of the Unicorn MOTU Ultralite PS/Pre/A>D @ 16 24-bits, 44.1 48 96 kHz ►
Mark of the Unicorn MOTU Traveler mk2 mk3 PS/Pre/A>D @ 16 24-bits, 44.1 48 88.2 96 176.4 192 kHz (AES/EBU S/PDIF coax optical firewire out) ►
Mytek Stereo 192 ADC A>D converter @ 24-bits, 44.1 kHz ►
Oade-modified Sony SBM-1 A>D @ 16-bits, 44.1 48 kHz ►
Sony RMR-D3 Remote Control/Timer/Digital Format Converter (Optical > Coax) ►
Sony SBM-1 A>D @ 16-bits, 44.1 48 kHz ►
Soundcraft COMPACT4 mixer ►
Spirit Folio Lite 12-channel Mixer ►
T.C. Electronic Finalizer 96K Studio Mastering Processor @ 24-bits, 96 kHz ►

Other I/O Devices & Cables

Most every other sort of recording gear (except for computer soundcards) is tossed into this section, perhaps with one or more that ought to be listed previously instead.

Other Items, A-I

Aiwa AD-F810 3-Head Stereo Cassette Deck ►
Aiwa AD-WX828 Cassette Recorder (playback of Nth gen cassette copy) ►
Akai GXC-570 3-Head Pro cassette deck (playback of 1st gen cassette) ►
Akai GXC-636 6-Head 4 track 2 channel Reel to Reel Recorder (playback of ?1st gen reels) ►
Alesis MasterLink ML-9600 Hi-Res Master Disk Recorder @ 16-bits, 20-bits, 24-bits, 44.1 48 88.2 96 kHz ►
Allen & Heath GL3300 Mixing Console (?stereo out?) ►
Archive 4320 'Python' DDS DAT ►
Archive 4326 'Perigrine' DDS2 DAT ►
Archos Gmini 402 Pocket Hard Drive Recorder @ 16-bits, 44.1 kHz (record) (USB out) ►
ARDAT 4320 'Python' DDS DAT ►
ART Pro VLA Tube Compressor (Model 212) ►
Behringer DEQ2496 Ultracurve Pro ►
Behringer Ultramatch SRC2000 digital sample rate/format converter ►
Blue Microphones Kiwi quad cable ►
Busilver interconnects ►
Carver TX11 FM tuner ►
Casio DA-7 DAR-100 Portable DAT ►
Conner Peripherals CTD-8000 'Perigrine' DDS2 DAT ►
Creative Labs Nomad Jukebox 3 (record) @ 16-bits, 44.1 kHz (USB firewire out) ►
Denon DRM-550 Cassette Recorder (playback of cassette masters) ►
Denon DTR-80p DAT (record) @ 16-bits, 44.1 48 kHz ►
Denon DTR-2000 DAT (record) @ 16-bits, 44.1 48 kHz ►
DBX 150 Noise Reduction Decoder ►
Edirol/Roland R-1 2 Channel Digital Recorder @ 16 24-bits, 44.1 48 88.2 96 kHz ►
Edirol/Roland R-4 4 Channel Digital Recorder with Busman Oade TMOD @ 16 24-bits, 44.1 48 88.2 96 kHz (USB out) ►
Edirol/Roland R-44 4 Channel Digital Recorder @ 16 24-bits, 44.1 48 88.2 96 192 kHz (USB out) ►
Edirol/Roland R-09 2 Channel Digital Recorder @ 16 24-bits, 44.1 48 kHz (USB out) ►
Edirol/Roland R-09HR 2 Channel Digital Recorder @ 16 24-bits, 44.1 48 96 kHz (USB out) ►
Fostex CR500 Master CD Recorder (record) @ 16-bits, 44.1 kHz ►
Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) ►
Fostex FR2 FR2LE Field Memory Recorder with Oade HD+Warm mod @ 16 24-bits, 44.1 48 88.2 96 176.4 192 kHz (record) ►
Furman LC6 Stereo Limiter Compressor ►
Gatex Noise Gate ►
Harman/Kardon TD4200 Cassette Deck (playback) ►
Harman/Kardon CDR 26 CD Recorder ►
HHb CDR830 Burn It (resample to 44.1 kHz on the fly; record) @ 16-bits, 44.1 kHz ► NxCDR
HHb CDR830 Burn It Plus (record) @ 16-bits, 44.1 kHz ► NxCDR
HHb CDR-850 (record) @ 16-bits, 44.1 kHz ► NxCDR
HHb CDR-850 Plus (record) @ 16-bits, 44.1 kHz ► NxCDR
HHb PDR-1000 PortaDAT (record) @ 16-bits, 44.1 KHz ►
Hydra Silver cables ►
iRiver H120 H140 HD Recorder (record) @ 16-bits, 44.1 KHz (USB out) ►
ITT Schaub-Lorenz HiFi4060 FM Tuner ►

Other Items, J-R

JVC KD-V6 Cassette Recorder ►
JVC XL-R5010BK CD Recorder ►
Kind Kables Big Green Fatty interconnect ►
KLH 1201A Dynamic Noise Filter ►
Korg MR-1 Professional Mobile Recorder @ 1 16 24-bits, 44.1 48 96 192 kHz 2.8224 MHz (DFF) (USB out) ►
Korg MR1000 Professional Mobile Recorder @ 1-bit, 2.8224 5.6448 MHz (DSD, DSDIFF DSF or WSD - correlates to SR, but not clearly explained by Korg) (USB out) ►
M-Audio Microtrack 24/96 flash recorder @ 16 24-bits, 44.1 48 96 kHz (RCA USB out) ►
M-Audio MicroTrack II Professional 2-Channel Mobile Digital Recorder @ 16 24-bits, 44.1 48 96 kHz (RCA USB out) ►
Mackie 1202-VLZ Pro Micro Mixer ►
Marantz CDR500 @ 16-bits, 44.1 kHz (record) ► NxCDR
Marantz CDR510 @ 16-bits, 44.1 kHz (record) ► NxCDR
Marantz (unknown model) Portable Cassette Recorder w/Dolby B + Maxell XLIIS Cassette (record)
Marantz Professional PMD-320 CD Player (analog coax S/PDIF out) ►
Marantz PMD 660 Compact Flash Recorder with Oade Advanced Concert Mod (ACM) @ 16-bits, 44.1 48 kHz ►
Marantz PMD 671 Compact Flash Recorder with Busman Mod @ 16 24-bits, 44.1 48 96 kHz ►
Marantz PMD 671 Compact Flash Recorder with Oade Advanced Concert Mod (ACM) @ 16 24-bits, 44.1 48 96 kHz ►
Mark of the Unicorn MOTU 828mkII PS/Pre/A>D @ 16 24-bits, 44.1 48 96 kHz ►
Monster M1000 RCA<>RCA interconnects ►
Nakamichi 480ZB/S Cassette Deck (playback of Master Cassettes) ►
Nakamichi BX-300 Cassette Deck (playback of Master Cassettes) ►
Nakamichi Cassette Deck 2 (master cassette) ►
Nakamichi CR1A CR3A CR7A Cassette Deck (playback of Master Cassettes) ►
Nakamichi DR-1 3-Head Cassette Recorder (playback of Master Cassettes) ►
Nakamichi DR-10 3-Head Cassette Recorder (playback of Master Cassettes) ►
Nakamichi Dragon 3-Head Cassette Recorder (playback of Master Cassettes) ►
Nakamichi NR 200 Dolby B/C Encoder/decoder ►
Nakamichi 550 Portable Cassette Deck + Maxell XLII Cassettes (w/dolby NR) ►
Onkyo Integra TA-2048 3-Head Cassette Deck (playback of Master Cassettes) ►
Onkyo Integra TA-RW344 2-Head Cassette Deck (no dolby B C HX Pro copy/playback) ►
Panasonic SV-255 SV-3700 SV-3800 DAT (record) @ 16-bits, 44.1 48 kHz (S/PDIF out) ►
Pioneer PDR-05 CD recorder ►
Philips CDR775 CDR880 standalone cd recorder (analog coax optical S/PDIF input) @ 16-bits, 44.1 kHz ►
Radiosophy multistream HD digital tuner (S/PDIF out) ►
Revox A76 MkII MKIII FM Tuner ►
Revox A700 (1/4 track reel tape deck at 7.5 ips using TDK AUDUA L-3600M ten inch reels)
Revox A77 B77 (1/2 1/4 track reel tape deck at 3.75 7.5 ips using TDK AUDUA L-3600M ten inch reels, no dolby B)
Roland VS2000CD 20-track Digital Studio Workstation (?store files on internal 40 GB HD?) (USB out) ►

Other Items, S

Seagate CTD-8000 'Perigrine' DDS2 DAT ►
Segue Dogstar interconnects ►
Sharp MD-MS702 MD-MT290 MD-R420H MiniDisc recorder ►
Sonic Studios modified Sony PCM-M1 DAT @ 16-bits, 44.1 48 kHz ►
Sony DTC-A7 DAT (play) ►
Sony DTC-60ES DAT (play, S/PDIF out) ►
Sony DTC-60ES DAT (record) w/SBM on @ 44.1 48 kHz ►
Sony DTC-60ES DAT w/SBM on @ 44.1 kHz (A>D conversion only) ►
Sony DTC-75ES DAT (record) @ 16-bits, 44.1 48 kHz ►
Sony MDS-JE330 MDS-JE470 Minidisc (BASF MD) ►
Sony MZ-N1 NetMD MiniDisc (w/Type R ATRAC encoding) ►
Sony MZ-NH700 portable Hi-MD recorder @ 256 kbps AATRAC3plus 16-bits, 44.1 kHz (analog stereo USB out) ►
Sony MZ-R70 MiniDisc Walkman (analog stereo out) ►
Sony MZ-RH1 Hi-MD MiniDisc Walkman @ 16-bits, 44.1 kHz (analog stereo USB out) ►
Sony PCM-D50 Portable Linear PCM Recorder @ 16 24-bits, 44.1 48 96 kHz (record) (analog optical S/PDIF USB out) ►
Sony PCM-F1 Stereo Digital Recording Processor (A>D) @ 16-bits, 44.056 kHz ► (unknown betamax or Hi-Fi videocassette recorder) ►
Sony PCM-M1 DAT (record) @ 16-bits, 48 kHz ►
Sony PCM-M10 Linear PCM Recorder (record) @ 16 24-bits, 44.1 48 88.2 96 kHz (USB out) ►
Sony PCM-601ESD Stereo Digital Recording Processor (A>D or D>A) @ 16-bits, 44.056 kHz (coax S/PDIF out) ►
Sony PCM-R300 -R500 DAT (play, coax optical S/PDIF out) ►
Sony PCM-R300 -R500 DAT (record) @ 16-bits, 44.1 48 kHz ►
Sony SDT-9000 DDS in unknown computer ►
Sony ST-SDB900QS DAB/FM/AM Tuner ►
Sony TC-24 Cassette Recorder (no dolby; Cassette Masters: Maxell UD XLII) ►
Sony TC-152 SD Stereo Cassette Recorder (no dolby B; Cassette Masters: Maxell UD XLII) ►
Sony TC-158 Cassette Recorder (no dolby B/C; Cassette Masters: Maxell UD XLII) ►
Sony TC-355 reel-to-reel recorder using Sony PR-150 tape @ 3-3/4 IPS ►
Sony TC-D5M Cassette Recorder (no dolby B; Cassette Masters: S1-Maxell MX90; S2-Sony Metal ES90) ►
Sony TC-D6 Cassette Recorder (no dolby B/C; Cassette Masters: S1-Maxell MX90) ►
Sony TC-K777 Cassette Recorder (Maxell MX90, with Dolby B) ►
Sony TC-KE600S Cassette Recorder (Maxell MX90, with Dolby B) ►
Sony TCD-D3 -D7 -D8 -D100 DAT (record) @ 16-bits, 44.1 48 kHz ►
Sony TCD-D10 Pro DAT @ 44.1 kHz (record) ►
Sony TCD-D10 Pro II DAT @ 44.1 kHz (record) ►
Sony WM-D3 Walkman Professional Stereo Cassette Player/Recorder (no dolby B; Cassette Masters: S1-Maxell MX90; S2-Sony Metal ES90) ►
Sony WM-D6 Walkman Professional Stereo Cassette Player/Recorder (no dolby B; Cassette Masters: S1-Maxell MX90; S2-Sony Metal ES90) ►
Sound Devices 702 (portable stereo flash recorder) @ 16 24-bits, 44.1 48 88.2 96 kHz (firewire out) ►
Sound Devices 722 (portable stereo hard disc recorder) @ 16 24-bits, 44.1 48 88.2 96 kHz (firewire out) ►
Sound Devices 744T (portable 4-channel hard disc recorder) @ 16 24-bits, 44.1 48 88.2 96 kHz (firewire out) ►
Sound Devices 788T (portable 8-channel hard disc recorder) @ 16 24-bits, 44.1 48 88.2 96 kHz (firewire out) ►

Other Items, T-Z

Tandberg 9241XD (1/2 track reel tape deck at 3.75 7.5 ips using TDK AUDUA L-3600M ten inch reels, no dolby B) ►
Tascam 122mkIII 3-Head Professional Series Cassette Recorder with Dolby HX ►
Tascam CD-RW4U stand alone CD burner @ 16-bits, 44.1 kHz ► NxCDR
Tascam CD-RW402 stand alone CD burner @ 16-bits, 44.1 kHz ► NxCDR
Tascam CD-RW700 CD-RW750 stand alone CD burner @ 16-bits, 44.1 kHz ► NxCDR
Tascam CD-RW2000 stand alone CD burner @ 16-bits, 44.1 kHz ► 1xCDR
Tascam DA-P1 DAT (record) @ 16-bits, 44.1 48 kHz (analog coax optical S/PDIF output) ►
Tascam DA-20 DAT (record) @ 16-bits, 44.1 48 kHz (analog coax optical S/PDIF output) ►
Tascam DA-20 MkII DAT (record) @ 16-bits, 44.1 48 kHz (analog coax optical S/PDIF output) ►
Tascam DA-30 DAT (analog coax optical S/PDIF output) ►
Tascam DA-30 MKII DAT (analog coax optical S/PDIF output) ►
Tascam DA-302 DAT (analog coax optical S/PDIF output) ►
Tascam DA-40 DAT (record) @ 16-bits, 44.1 48 kHz (analog coax optical S/PDIF output) ►
Tascam DA-45HR DAT (record) @ 16-bits, 44.1 48 kHz ►
Tascam DV-RA1000 DSD Recorder @ 1bit/2.8mhz DSD (record) ►
Tascam HD-P2 Portable High-Definition Stereo Audio Recorder @ 16 24-bits, 44.1 48 96 kHz ►
TEAC 209 cassette recorder ►
TEAC AN-300 Noise Reduction Unit (dolby B encoder/decoder) ►
TEAC DA-P20 DAT (record) @ 16-bits, 44.1 48 kHz ►
TEAC PC-10 Esoteric Series Portable Cassette Recorder ►
TEAC RW-CD22 CD recorder ►
TEAC X-1000R X-2000R reel tape deck (playback of master tape) ►
Technics RS-686DS portable 3-head cassette recorder (w/Dolby NR ON/OFF) ►
Technics RS-1506US reel-to-reel recorder (1/4“ 2- 4-track reels @ 3.75 ips) ►
Technics RS-T73 cassette deck (play) ►
Technics RS-TR575 Dual Cassette Recorder (playback of master cassettes) ►
Technics SV-MD1 DAT (record) @ 16-bits, 44.1 48 kHz (play) ►
Technisat Digicorder S2 (raw satellite data to internal 80 GB HD; USB out) ►
Uher Report Monitor 2000 (1/2 track reel tape deck @ 3.5 ips) ►
Uher Report 4xxx 4000 (mono) 4200 (stereo) 4400 (4-track) reel-to-reel recorder ►
Yamaha K-1020 3-head cassette deck (play) ►
Zoom H2 Handy Recorder @ 16 24-bits, 44.1 48 88.2 96 kHz (SD card) (USB out) ►
Zoom H4 H4n Handy Digital Recorder @ 16 24-bits, 44.1 48 88.2 96 kHz (SD card) (USB out) ►

A Few Other Miscellaneous Sources

DVB-S stream (Astra BellExpressVU Dish Network SkyTV unknown Satellite) capture to HD ►
KSAN 'Jive 95' 94.9 FM pre-broadcast reel master (unknown deck @ 15 ips) ►
Technisat Digicorder S2 (raw satellite data to internal 80 GB HD; USB out) ►

Computer Soundcards, A-M

(A>D via unknown soundcard) ►
Apple G4 G5 Mac Mini ►
Audiomedia III PCI soundcard in Powermac G3/266 ►
C-Media CMI8738/C3DX soundcard (RCA analog in; A>D @ 16-bits, 44.1 kHz) ►
CoreSound PDAudio-CF in Compaq iPaq 3835 ►
Creative Technology Ltd. Sound Blaster Audigy (exact model unknown) internal soundcard ►
Creative Technology Ltd. Sound Blaster Live! external USB soundcard IR ►
Creative Technology Ltd. Sound Blaster Extigy external USB soundcard ►
Digidesign Audiomedia III PCI soundcard in Powermac G3/266 ►
Digidesign Digi PCI 001 soundcard (S/PDIF optical IN) ►
Digidesign Mbox 2 Pre/PS/A>D/external USB soundcard @ 16-bits, 44.1 48 kHz (S/PDIF USB out) ►
Digigram VxPocket 440 PCMCIA soundcard in
Digigram VxPocket PCMCIA soundcard in unidentified laptop ►
Digigram VxPocket V2 PCMCIA soundcard in [unidentified | Fujitsu Lifebook | Sony VAIO C1VPK] laptop ►
Echo Audio MIA soundcard (S/PDIF in) ►
Echo Layla PCMCIA soundcard ►
Edirol/Roland UA-30 USB Audio Interface (external soundcard with A>D at 16-bits, 44.1 48 kHz) (S/PDIF coax optical USB out) ►
Egosys Waveterminal U2A (un/balanced 1/4” TRS analog i/o) A>D @ 16-bits, 32 44.1 48 kHz (S/PDIF coax optical USB i/o) ►
Egosys Waveterminal 2496 soundcard ►
Emagic Audiowerk2 soundcard ►
Hauppauge Nexus-S Digital Video Broadcast PCI card ►
Lexicon Alpha USB Audio Interface @ 16- 24-bits, 44.1 48 kHz ►
Lucid PCI24 soundcard ►
Lynx Studio Technology LynxONE (4-In, 4-Out) soundcard (AES-EBU S/PDIF coax in/out) ►
Lynx Studio Technology LynxTWO-B (2-In, 6-Out) Multichannel Audio Reference PCI Card (S/PDIF in) ►
M-Audio Audiophile 192 soundcard ►
M-Audio Audiophile 2496 soundcard ►
M-Audio Audiophile USB Audio and MIDI Interface ►
M-Audio Dio 2448 soundcard ►
M-Audio Delta DiO 2496 soundcard ►
M-Audio Firewire Audiophile external soundcard ►
M-Audio Transit 24/96 USB soundcard @ 16-bits, 44.1 kHz ►

Computer Soundcards, N-Z

RealtekAC'97 soundcard ►
RME Digi96/8 PAD Broadcast PCI soundcard ►
RME Digi96/8 PAD PST soundcard ►
RME Hammerfall Digiface ►
RME Hammerfall Digiface + Cardbus interface to Sharp MV10 laptop ►
SEK'D Prodif Plus soundcard (analog coax optical in) ►
SEK'D Prodif Gold soundcard ►
Sound Blaster Audigy 2 ZS soundcard ►
ST Audio 24/96 PCI soundcard (analog S/PDIF coax optical in) ►
ST Audio DSP2000 C-Port Recording Interface (analog, S/PDIF coax+optical, AES-EBU IO; A>D @ 16 24-bits, 44.1 48, 88.2 96 kHz) ►
Tascam US-428 USB DAW controller ►
TechniSat SkyStar2 PCI card ►
Terratec DMXFire 1024 soundcard (?analog in?) ►
Turtle Beach Fiji Montego II Pinnacle soundcard (S/PDIF optical in) ►
Zefiro Acoustics ZA2 soundcard (coax S/PDIF in) ►

Computer Software

Software, A-D

Adobe Audition v.? v1.5 v2.0 v3.0 (edits unknown) (resample to 44.1 kHz, reduce word length to 16-bits) ►
Apple Final Cut Pro non-linear editing software, v.? v6.05 ►
Apple Logic Studio v.? ►
Apple Logic Pro v.? v9.0.2 ►
Apple Sound Studio v.? 3.x ►
arecord v.? ►
Audacity v? v1.2.3 1.2.4 1.3.3 1.3.5 ►
AudioDesk v.? v2.04 ►
Audiofile Engineering Wave Editor v.? v.1.2.1 v.1.4.5 ►
BIAS Peak v.? ►
BIAS Peak v.? + Waves Audio Track plugins (edits unknown) ►
BIAS Peak v.2.5 (edits unknown) ►
BIAS Peak LE ►
BIAS Peak Pro v.? 5.2 ►
BIAS Peak Pro XT ►
BIAS SoundSoap SoundSoap 2 SoundSoap Pro audio restoration plug-in ►
Big-O Software hkSFV v2.01 v.? (generate md5 checksums) ►
Blaze Media Pro CD WMA v.? (CD rip) ►
Cakewalk Sonar v.? (edits unknown) ►
Cakewalk Sonar 5 6 Producer Edition (edits unknown) ►
CDBurnerXP v.? v4.0.024 (inflate and burn, no CD-Text) ► NxCDR
CDex open source digital audio CD extractor v.? 1.70 ►
CDParanoia v.? III digital audio extractor ►
Creative Labs Play Center ►
Creative Labs Nomad Explorer v.? ►
DATlib ►
DAT2WAV ►
Diamond Cut Audio Restoration Hiss Removal ►
Diamond Cut Productions DC5 DC6 audio editor (mix, track and normalize) ►
Digidesign ProTools v.? LE v4.1.1 6.2.3 7.x (tracking) ►
Digidesign Sound Designer II v.? v.2.8.2 (convert to AIFF) ►
DSP-Quattro v.? (edits unknown) ►
DSP-Quattro X v.? (edits unknown; iZotope MBIT+ WLR to 16-bits) ►
DVD-Audio Explorer (24/96 rip from DVD with MLP decompression unknown settings) ►
(AKA DVDAExplorer, DVD-Audio Explorer 2008, DVD Audio Explorer)

Software, E-H

Exact Audio Copy v.? .0.9 beta 4 0.95 prebeta 5 0.99 prebeta 5 1.0 beta 2 (unknown settings)(full secure mode, offsets set correctly, mode unknown, offset status unknown, rip and convert to FLAC Level 8 via libFLAC 1.1.2 20050205 v1.2.1 20070917, generate fingerprints) ►
FASoft n-Track Studio ►
Fastsum v.? (calculate md5 checksums) ►
Felt Tip Software Sound Studio v.? v3.0.5 (aiff) ►
Feurio 1.6.8.0 with CD-Text ► NxCDR
FLAC Frontend v1.x with libFLAC v1.0.4 20020924 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.x with libFLAC v1.1.0 20030126 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.7.1 with libFLAC v1.1.0 20030126 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.7.1 with libFLAC v1.1.1 20041005 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.7.1 with libFLAC v1.1.2 20050205 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.7.1 with libFLAC v1.1.3 20061120 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.7.1 with libFLAC v1.1.4 20070213 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Frontend v1.7.1 with libFLAC v1.2.1 20070917 (Level 8; generate fingerprints) ► FLAC [xxx MB];
FLAC Multi Tagger v.? 0.3 0.4.1 (tagging and format conversion) ►
flacify 144 using libFlac 1.1.2 20050205 (level ?, generate fingerprints) ►
foobar2000 v0.8.3 (GATv1.1 file tagging) ►
foobar2000 v0.9.2 beta 3 (GATv1.1 tagging) ►
foobar2000 v0.9.4.1 (GATv1.3 tagging) ►
foobar2000 v0.9.5 (GATv1.6 tagging) ►
Freeverse Sound Studio v.? (no edits) ►
Gidluck Mastering Live2496 ►
Golden Hawk Technology CDRWin v.? ►
GoldWave audio editor v5.12 v.? ►
GoldWave Multiquence audio editor v2.02 v2.54 v.? ►
GramoFile v.? ►
High Criteria Total Recorder v.? ►
HkSFV v2.01 v.? (generate md5 checksums) ►

Software, I-R

iDVD v.? ►
illustrate dBpowerAMP Music Converter (dMC) v.? (extraction and format conversion) ►
illustrate dBpowerAMP Music Converter (dMC) v.? (FLAC conversion via libFLAC v1.1.0 20030126 v1.1.3 20061120 v1.2.0 20070715 v1.2.1 20070917 (Level ?8; generate fingerprints)) ► FLAC [xxx MB];
iMovie iMovieHD v.? ►
iTunes v.? (rip CDR to wav) ►
Jackass JoeJoe's Rename Master v.2.5.1 (renamed files to artistYYYY-MM-DDdXtNN standard) ► * Korg Audiogate (word-length reduction and resampling to 16- 24- bits, 44.1 48 88.2 96 192 kHz) ► * LinearTeam WAV-Normalizer v.? ► * Mackie Tracktion 2 Music Production Software (mixing details unknown, ?resample to 44.1 kHz) ► * Magix Samplitude v.? ► * Magix Samplitude Producer 2496 v.? v5.3 v6.0 v6.02 ► * Magix Samplitude Professional v7.02 v7.2 v8.0 v9.12 v10.01 v10.02 v10.2 ► * Magix Samplitude SE v.8.3 (gain adjustments, iZotope Ozone 3 Loudness Maximizer, mixdown, fades, resample to 44.1 kHz, MBIT+ dither to 16-bits, tracking) ► * Magix Sequoia 7.22 ► * Make Torrent 2.0 Final ► * Mark of the Unicorn MOTU Digital Performer 5.1 ► * MD5summer v? v1.2 v2.0.21 (calculate .md5 checksums) ► * MiLo Software CD Wave v.? v.1.53 v1.6 v1.71 v1.90 v1.93b2 v1.93.3 v1.94.4 v1.95.1 v1.98 (tracking, extract WAV files, convert to FLAC via libFLAC v1.2.1 20070917 (Level 8; generate fingerprints)) ► FLAC [xxx MB]; * mhWaveEdit v.? ► * mkw Audio Compression Tool v0.97b (calculate .md5 checksums) ► * mkw Audio Compression Tool v0.97b (losslessly convert WAV to SHN, calculate .md5 checksums) ► * Monkey's Audio Compressor 4.06 (losslessly convert .wav into .ape format at 'Extremely High' setting) ► * mpesch3 audio tools mp3DirectCut v.? v2.05 ► * Nero v.? ► * Nero 6 Save Tracks digital audio extractor ► * Nero Wave Editor v.? v2.x v3.x ► * Pegasys TMPGEnc DVD Author v.? ► * Pescados Software checkSum+, v.? (compute md5 checksums) ► * Plextor PleXTools Professional XL v.? v.3.16 (rip with unknown settings) ► * Poikosoft Easy CD-DA Extractor v.? v.12 (rip with unknown settings)(rip to FLAC via libFLAC 1.1.2 20050205) ► * ProjectX - DVB demux Tool v.? v.0.90.4 ► * readDAT ►
Roxio CD Spin Doctor v.? v.2 v.6.1.2 (edits unknown) ►
Roxio EZ Cd Creator v.? ► NxCDR
Roxio Toast Titanium v.? ► NxCDR
Roxio WinOnCD v.? 5.0 ► NxCDR

Software, S

SEK'D Prodif Plus soundcard ►
SHNTool v.? v.1.01 v.2.0.3 v.3.0.2 (verify sector boundaries; repair boundary errors, convert WAV to SHN) ► SHN [xxx MB]
Shorten 3.2 3.4 3.5.1 (convert WAV to SHN) ► SHN [xxx MB]
SlavaSoft Optimizing Checksum Utility - fsum 2.52.00337 (compute md5 checksums) ►
Softpointer Tag&Rename v.? 3.3.5 (tagging) ►
Sonic Foundry CD Architect v.? v4.0 v5.0 ►
Sonic Foundry Sound Forge v.? v4.0 4.5 5.0b v.6.0 build xxx (record) ►
Sonic Foundry Sound Forge 6.0d build 219 (record, edit, normalize, track & extract .wav files) ►
Sonic Foundry Vegas v.? v3.0 (record) ►
Sonic Record Now! 7.3 build 730B56C (burn data discs) ► NxCDR
Sony CD Architect v.? v5.2b build 197 ► NxCDR
Sony SonicStage audio file manager v.? ►
Sony Sound Forge XP v.? v4.5 v5.0 v7.0 ►
Sony Sound Forge Audio Studio v.? v.8.0 ►
Sony Sound Forge 7.0 build xxx 214 (edits unknown) ►
Sony Sound Forge 8.0 build xxx (
Sony Sound Forge 9.0 build xxx 245 (
Sony Sound Forge 9.0b build 397 (
Sony Sound Forge 9.0c build 405 (
Sony Sound Forge 9.0d build 433 (
Sony Sound Forge 9.0e build 441 (re-edit, excise DJ patter, trim/add fade-ins/outs, normalize:
Original Levels: -0.0 dB Peak; -20.0 dB RMS;
track & extract .wav files) ► [choose path]
Sony Vegas v.? v4.0 v4.0e build 239 v7.0 (record) ►
Sony Vegas v4.0e build 239 (load AUD and SBD sources, render to stereo with 50/50 blend of each source at -3.0 dB) ►
SoundBlaster Creative WaveStudio v.? (edits unknown) ►
SSRC v.? 1.3 (sample rate conversion to 44.1 kHz) ►
Steinberg Clean 4.0 (edits unknown) ►
Steinberg Cubase v.? 3.0 (edits unknown) ►
Steinberg WaveLab v.? 3.0 4 4.0g (resample and dither to 16-bits, 44.1 kHz) (edits unknown) ►
Steinberg WaveLab v.5.0 5.01a (trim, add fades, Apogee UV22HR plug-in used to resample and dither to 16-bits, 44.1 kHz; Universal Audio UAD plugins) ►
Steinberg WaveLab v.6 6.1 (dither to 16-bits via MegaBitMax) ►
Syntrillium Cool Edit (version and edits unknown) ►
Syntrillium Cool Edit 96 (edits unknown) ►
Syntrillium Cool Edit 2000 (edits unknown)(add fades, resample to 44.1 KHz) ►
Syntrillium Cool Edit Pro v.? 1.2a 2.0 2.1 (edits unknown)(trim, add fades, resample to 44.1 KHz) ►

Software, T-W

T.C. Electronic Spark XL Realtime Digital Audio Editor for Mac OS, v2.82 (track, resample to 44.1 kHz, and dither to 16-bits) ►
Trader's Little Helper (TLH) v.? (verify sector boundaries, convert to FLAC via libFLAC v1.1.2 20050205 (Level ?8; generate fingerprints)) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 72) (verify/compute checksums, verify sector boundaries and convert between formats) ►
Trader's Little Helper (TLH) v1.0.0 Beta 1 (build 89) (
Trader's Little Helper (TLH) v2.2.2 (build 152) (
Trader's Little Helper (TLH) v2.3.1 (build 156) (
Trader's Little Helper (TLH) v2.4.1 (build 160) (
Trader's Little Helper (TLH) v2.5.1 (build 161) (
Trader's Little Helper (TLH) v2.6.0 (build 168)
Trader's Little Helper (TLH) v2.7.0 (build 172) (
verify/compute md5 checksums,
verify/correct sector boundaries,
verify/compute FLAC fingerprints,
and convert between formats) ►
(unknown means of extraction from CDR) ►
(unknown means of FLAC conversion) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.0.4 20020924 (Level ?6?; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.1.0 20030126 (Level 7; Align on Sector Boundaries; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.1.0 20030126 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.1.1 20041001 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.1.2 20050205 (Level 8; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.1.3 20061120 (Level 8; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.1.4 20070213 (Level 8; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.2.0 20070715 (Level 8; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of FLAC conversion via libFLAC v1.2.1 20070917 (Level 8; generate fingerprints)) ► FLAC [xxx MB];
(unknown means of SHN conversion) ► SHN [xxx MB];
VDAT ►
Voxengo r8brain v.? v1.9 (word-length reduction to 16-bits, sample rate conversion to 44.1 kHz at Very High Quality Setting) ►
Voxengo r8brain Pro v.? (sample rate conversion to 44.1 kHz) ►
wavbreaker v.? 0.7 (tracking) ►
Waves DirectX plug-ins
Weiss Saracon Lite Sampling Rate Conversion Software with POW-R dithering (convert to 16 24-bits, resample to 44.1 48 88.2 96 kHz) ►
Weiss Saracon DSD Sampling Rate Conversion Software with POW-R dithering (convert DSD to 16 24-bits, resample to 44.1 48 88.2 96 kHz) ►
Womble MPEG Video Wizard v.? ►

Software, X-Z

X Audio Compression Toolkit (xACT) v.? ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v.? (FLAC conversion via libFLAC v1.1.1 20041001 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v.? (FLAC conversion via libFLAC v1.1.3 20061120 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v.? (FLAC conversion via libFLAC v1.2.0 20070715 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v1.3 ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v1.5b3 ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v1.55 ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v1.58 (FLAC conversion via libFLAC v1.1.2 20050205 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
X Audio Compression Toolkit (xACT) v1.62 (FLAC conversion via libFLAC v1.2.0 20070715 (Level ?8?; generate fingerprints)) ► FLAC [xxx MB];
xiph.org CDParanoia v.? (rip CD to wav) ►

So What the Hell?

If you're baffled by this lengthy list, that's OK. At some point, this page will be updated with better explanation and instructions for how this might be useful. Until then, it's yet another example of how the Internet is populated with pages full of inscrutable crap.

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