RandoloWiki

Too much of everything is just enough!

User Tools

Site Tools


2014:2014-11:2014-11-11

Jump to a different year? Take your pick!2000200120022003200420052006200720082009201020112012201320142015201620172018201920202021202220232024


Calder Quartet at Miner Auditorium, November 11, 2014

Tentative Program

  • Bartók String Quartets Nos. 5 & 6;
  • Péter Eötvös: Korrespondenz

Set One

[7:32 PM lights down, announcements by Rebeca Mauleón]

Bartók: String Quartet No. 5

Béla Bartók: String Quartet No. 5, Sz.102, BB 110 (1934)

  1. [7:35 PM] Allegro
  2. [7:44 PM] Adagio molto
  3. [7:49 PM] Scherzo: alla bulgarese
  4. [7:54 PM] Andante
  5. [8:00 PM] Finale: Allegro vivace
    [work ends 8:07 PM, bows and then off; back in a few minutes; brief remarks about Korrespondenz by Andrew Bulbrook]

Eötvös: Korrespondenz

Péter Eötvös: Korrespondenz (scenes for string quartet) (1992)

  1. [8:10 PM] Scene I
  2. [8:14 PM] Scene II
  3. [8:17 PM] Scene III
    [set ends 8:28 PM]

Set Two: Bartók: String Quartet No. 6

Béla Bartók: String Quartet No. 6, Sz.114, BB 119 (1939)

[8:49 PM lights down, announcements from Andrew Bulbrook]

  1. [8:50 PM] Mesto – vivace
  2. [8:58 PM] Mesto – marcia
  3. [9:06 PM] Mesto – burletta
  4. [9:13 PM] Mesto – molto tranquillo [work ends 9:20 PM; no encore, off after a minute or so]

Performers

Calder Quartet

Calder Quartet

  • Andrew Bulbrook: violin;
  • Eric Byers: cello;
  • Benjamin Jacobson: violin;
  • Jonathan Moerschel: viola.

Notes

First set tonight was quite good. The boys were obviously well-prepared, and I appreciated that Andrew Bulbrook took time to discuss each of the works with us – quite helpful in the absence of any official program notes! On the other hand, while Bullbrook's exegesis of the back story to Korrespondenz is interesting, I had a hard time determining how that translated to the work I heard, except at the most superficial level: assigning the viola part to W.A. Mozart and the cello to papa Leopold. Maybe I need to listen to a recording while reading additional critical analysis on the piece? Seems like extra work, without a lot of payoff in terms of potential enjoyment to be gained by that effort!

As noted first, the Bartók works were sublime. I thought the group did an excellent job of capturing the pathos encapsulated by the 6th, particularly with the semi-farcical march and then more so with the grieving final movement. I'll be interested in finding out whether Randall invites them back for another visit next season – depending on the program and my schedule, I could find myself back in row F once more!

Program Notes from a performance of Korrespondenz by the Los Angeles Philharmonic

Back to the previous event!Up to the 2014 yearbox!Up to the 2014 event list!On to the next event!


Jump to a different year? Take your pick!2000200120022003200420052006200720082009201020112012201320142015201620172018201920202021202220232024

2014/2014-11/2014-11-11.txt · Last modified: 2020/06/14 23:54 by 127.0.0.1