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2017:2017-01:2017-01-26

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Berkeley Symphony Orchestra with Joshua Roman at Zellerbach Hall Auditorium, January 26, 2017

Tentative Program

  • Mason Bates: Cello Concerto
  • Ludwig van Beethoven: Symphony No. 4 in B-flat major

Set One: Bates: Cello Concerto

[8:05 PM lights down, announcements from Rene Mandel; tuning]

Mason Bates AKA DJ Masonic (b.1977): Cello Concerto (2014; Bay Area premiere), featuring cellist Joshua Roman

  1. [8:08 PM] Con moto–Grazioso–Con moto
  2. [8:16 PM] Serene
  3. [8:23 PM] Léger
    [work ends 8:35 PM; applause for a minute or two]
     
    Solo Encore
  4. [8:36 PM] Mark Summer: Julie-O
    [set ends 8:39 PM; applause until 8:41 PM]

Set Two: Beethoven: Symphony No. 4

[9:03 PM lights down, tuning]

Ludwig van Beethoven (1770-1827): Symphony No. 4 in B-flat major, Op. 60 (1806)

  1. [9:04 PM] Adagio – Allegro vivace
  2. [9:16 PM] Adagio
  3. [9:25 PM] Allegro vivace
  4. [9:31 PM] Allegro ma non troppo
    [show ends 9:38 PM; applause for a couple minutes, then we all head off into the night]

Performers

Berkeley Symphony Orchestra

Berkeley Symphony Orchestra

  • Amy Apel: viola;
  • Alessandra Aquilanti: viola;
  • Peter Bedrossian: cello;
  • John Bernstein: violin I;
  • Stephanie Bibbo: violin I;
  • Allen Biggs: percussion;
  • Ryan Black: bass trombone;
  • Ivo Bokulic: viola;
  • Mark Brandenburg: principal clarinet;
  • Craig Bryant: trombone;
  • Alex Camphouse: principal horn;
  • Joana Carneiro: conductor (absent on medical leave), music director;
  • Shain Carrasco: cello;
  • Corey Chandler: contrabass;
  • David Cheng: violin II;
  • Alden Cohen: contrabass;
  • Bennie Cottone: oboe;
  • Andrew de Stackelberg: contrabass;
  • Krisanthy Desby: cello;
  • Rick Diamond: violin II;
  • Franklyn D’Antonio: concertmaster, violin I;
  • Ann Eastman: violin II;
  • Dan Ferreira: clarinet, bass clarinet;
  • Daniel Flanagan: principal violin II;
  • Eric Gainslen: cello;
  • Rose Marie Ginsburg: violin II;
  • Miles Graber: principal piano, celesta;
  • Monika Gruber: violin II;
  • Richard Hall: horn;
  • Kevin Harper: violin II;
  • William Harvey: trumpet;
  • Thomas Hornig: principal trombone;
  • Eldar Hudiyev: violin II;
  • Erin Irvine: contrabassoon;
  • Kenneth Johnson: cello;
  • Shawn Jones: principal bassoon;
  • James Kassis: percussion;
  • Jon Keigwin: assisstant principal contrabass;
  • Kristen Kline: violin II;
  • Larisa Kopylovsky: violin I;
  • Patrick Kroboth: viola;
  • Keith Lawrence: viola;
  • Junghee Lee: violin I;
  • Daniel Lewin: violin I;
  • Annie Li: violin I;
  • Scott Macomber: principal trumpet;
  • Shawyon Malek-Salehui: violin I;
  • Ilana Matfis: principal viola;
  • Ari Micich: trumpet;
  • Emma Moon: principal flute;
  • Margaret Moores: cello;
  • Jerry Olson: principal tuba;
  • Matthew Oshida: violin II;
  • Stacey Pelinka: flute, alto flute, piccolo;
  • Quelani Penland: violin II;
  • Eric Price: contrabass;
  • Thomas Reicher: horn;
  • Carol Rice: principal cello;
  • Candace Sanderson: assistant concertmaster, violin I;
  • Ravinder Sehgal: bassoon;
  • Deborah Shidler: principal oboe;
  • Michael Shuldes: horn;
  • Hee-Guen Song: violin I;
  • Ward Spangler: principal percussion;
  • Dan Stanley: viola;
  • Kristen Steiner: viola;
  • Matthew Szemela: assistant concertmaster, violin I;
  • Michel Taddei: principal contrabass;
  • Wendy Tamis: principal harp;
  • Loren Tayerle: horn;
  • Ilana Thomas: violin I;
  • Bert Thunstrom: violin I;
  • Alexander Volonts: assistant principal viola;
  • Mark Wallace: contrabass;
  • Wanda Warkentin: cello;
  • John Weeks: principal timpani;
  • Karsten Windt: assistant principal violin II;
  • Sylvia Woodmansee: cello;
  • Stephanie Wu: assisstant principal cello;
  • Lisa Zadek: violin I;
  • Charles Zhou: violin II.

Special Guests

Notes

Bate's piece was composed for Joshua Roman, who also performed it's premiere in Seattle in 2014, and Roman tossed it off tonight with élan, playing from memory as if nothing could be easier. Wow, what fun to watch! Roman also gave us a couple of minutes for a sparkling encore piece – something newgrassy and full of extended technique. Too bad he didn't bother to identify the work to the crowd! And so far, nothing posted about it to his Twitter feed or Facebook wall, so that detail remains elusive!

The second set featured a finely wrought rendition of Beethoven's 4th Symphony. You know, the one that comes between the heroic 'Eroica' and the da-da-da-DUM of the 5th. Sounded pretty fresh to me last night, and I dare say that the BSO was a bit better prepared for this one than on some nights past. Good for them! I was shocked and surprised that the crowd seemed too tired to stand up and clap at the end … the performance was well worth a standing ovation! Thanks folks!

Janos Gerben wrote a nice Promo article for SFCV, and Lou Fancher followed that up with a thorough review – many thanks to her detective work in reporting Joshua Roman's unannounced encore piece.

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2017/2017-01/2017-01-26.txt · Last modified: 2020/06/14 23:54 by 127.0.0.1