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2013-04-04_ncco_fcc [2013/04/07 02:22] – [Ernest Chausson (1855-1899): Concert for piano, violin, and string quartet in D major, Op. 21 (1891)] randolo | 2013-04-04_ncco_fcc [Unknown date] (current) – removed - external edit (Unknown date) 127.0.0.1 | ||
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- | # New Century Chamber Orchestra at First Congregational Church on April 4, 2013 | ||
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- | [New Century Chamber Orchestra](http:// | ||
- | 2013-04-04 | ||
- | First Congregational Church | ||
- | [Berkeley, CA](http:// | ||
- | 8:00 PM, Thursday, April 4, 2013 | ||
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- | ## ♪♫ Set One ♫♪ | ||
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- | [8:02 PM lights down, pause a moment, then musicians take the stage] | ||
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- | ### Osvaldo Golijov (b. 1960): Last Round (1996) | ||
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- | 1. Movido, urgente | ||
- | 2. Muertes del Angel: Lentismo | ||
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- | [8:18 PM ends; RV slide to C; pause to add the piano and reset the stage; 8:23 PM go!] | ||
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- | ### Wolfgang Amadeus Mozart (1756-1791): | ||
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- | 1. Allegro | ||
- | 2. Andante | ||
- | 3. Allegretto | ||
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- | [set ends 8:53 PM] | ||
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- | ## ♪♫ Set Two ♫♪ | ||
- | [9:15 PM lights down] | ||
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- | ### Ernest Chausson (1855-1899): | ||
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- | 1. Décidé | ||
- | 2. Sicilienne: Pas Vitae | ||
- | 3. Grave | ||
- | 4. Très animé | ||
- | [set ends 9:58 PM] | ||
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- | ## ♀♂ the Performers ♂♀ | ||
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- | * Hrabba Atladottir: 1st violin; | ||
- | * Kathleen Balfe: cello; | ||
- | * Robin Bonnell: cello; | ||
- | * Jenny Douglass: viola; | ||
- | * Candace Guirao: principal 2nd violin; | ||
- | * Anna Kruger: principal viola; | ||
- | * Anthony Manzo: principal bass; | ||
- | * Robin Mayforth: 2nd violin; | ||
- | * Issac Melamed: acting principal cello; | ||
- | * Deborah Tien Price: 2nd violin; | ||
- | * Evan Price: 1st violin; | ||
- | * Cassandra Lynne Richburg: viola; | ||
- | * Nadja Salerno-Sonnenberg: | ||
- | * Iris Stone: 1st violin; | ||
- | * Michael Yokas: 2nd violin; | ||
- | - with special guest - | ||
- | * Anne-Marie McDermott: piano. | ||
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- | ## ☺ Notes ☺ | ||
- | Peter Laki's [program notes](http:// | ||
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- | Golijov' | ||
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- | By contrast, the succeeding Mozart concerto was light and airy, like a merangue or an angel food cake. Delicious to consider, but hardly substantial enough for sustenance. | ||
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- | Indicative of the change in the piano' | ||
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- | And a funny incident: at the end of the Chausson, Nadja finishes with a grand flourish, and the audience begins to applaud tepidly, with only one or two folks standing up. So she gives us a big glare, then waves her bow with the same “all rise” motion she uses with the group, only this time, waving at the audience as if to say “get up off of your keisters and show us some love!” Classic! | ||
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- | {{tag> | ||