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- | # Jorge Federico Osorio at Hertz Hall, November 2, 2014 | ||
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- | [CalPerformances](http:// | ||
- | 2014-11-02 | ||
- | [Hertz Hall](http:// | ||
- | [U.C. Berkeley, Bancroft Way at College Ave, Berkeley, CA ](http:// | ||
- | 3:00 PM, Sunday, November 2, 2014 | ||
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- | [[2014-11-01|Back to the previous event!]] ☸ [[:# | ||
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- | ## Tentative Program | ||
- | Works by Bach, Schubert, Tchaikovsky, | ||
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- | ## Set One | ||
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- | [3:03 PM lights down] | ||
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- | ### Bach, arr. Busoni: Nun Komm’ der Heiden Heiland (Now come, the Gentiles’ Savior), BWV 659 | ||
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- | Johann Sebastian Bach (1685–1750), | ||
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- | 01. [3:04 PM] (opus) | ||
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- | ### Bach, arr. Rummel: “Ertödt’ uns durch dein’ Güte!” | ||
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- | Johann Sebastian Bach (1685–1750), | ||
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- | 01. [3:08 PM] (opus) | ||
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- | ### Schubert: Piano Sonata in in B-flat major, D. 960 | ||
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- | Franz Schubert (1797–1828): | ||
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- | 01. [3:12 PM] Molto moderato | ||
- | 02. [3:30 PM] Andante sostenuto | ||
- | 03. [3:40 PM] Scherzo: Allegro vivace con delicatezza — Trio | ||
- | 04. [3:44 PM] Allegro, ma non troppo | ||
- | [set ends 3:52 PM] | ||
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- | ## Set Two | ||
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- | [4:07 PM lights down] | ||
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- | ### Tchaikovsky: | ||
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- | Pyotr Il’yich Tchaikovsky (1840–1893): | ||
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- | 01. [4:08 PM] (opus) | ||
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- | ### Albéniz: Mallorca: Barcarola in F-sharp major | ||
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- | Isaac Albéniz (1860–1909): | ||
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- | 01. [4:13 PM] (opus) | ||
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- | ### Herrera: Barcarola No. 2, Op. 30 | ||
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- | Ricardo Castro Herrera (1864–1907): | ||
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- | 01. [4:18 PM] (opus) | ||
- | [pause for applause at 4:21 PM] | ||
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- | ### Mussorgsky: Pictures at an Exhibition (1874) | ||
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- | Modest Mussorgsky (1839–1881): | ||
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- | 01. [4:22 PM] Promenade | ||
- | 02. [4:23 PM] The Gnome | ||
- | 03. [4:25 PM] Interlude — Promenade | ||
- | 07. [4:26 PM] The Old Castle | ||
- | 08. [4:30 PM] Interlude — Promenade | ||
- | 09. [4:31 PM] Tuileries (Dispute of the Children After Play) | ||
- | 10. [4:32 PM] Bydlo (the Ox-Wagon) | ||
- | 11. [4:34 PM] Interlude — Promenade | ||
- | 12. [4:35 PM] The Ballet of the Unhatched Chicks | ||
- | 13. [4:36 PM] Samuel Goldenberg and Schmuÿle | ||
- | 14. [4:38 PM] Interlude — Promenade | ||
- | 15. [4:39 PM] The Market at Limoges | ||
- | 16. [4:41 PM] Catacombs (Sepulchrum Romanum) | ||
- | 17. [4:42 PM] Con Mortuis in Lingua Mortua (With the Dead in a Dead Language) | ||
- | 18. [4:45 PM] The Hut on Fowl’s Legs | ||
- | 19. [4:48 PM] The Great Gate of Kiev | ||
- | [set ends 4:52 PM] | ||
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- | ### Encore: Granados: Spanish Dance No. 4 | ||
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- | Enrique Costanzo Granados y Campiña (1867-1916): | ||
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- | 01. [4:54 PM] (opus) | ||
- | [show ends 4:58; applause for another minute or so, then off at 4:59 PM] | ||
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- | ## Performers | ||
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- | * [Jorge Federico Osorio](http:// | ||
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- | ## Notes | ||
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- | Friggin' | ||
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- | I really enjoyed this show; Jorge Federico Osorio is a fine performer, | ||
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- | The opening Bach works served as excellent orderves or appetizers to the first main course, Schubert' | ||
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- | Following a brief break, the second set opened with a trio of short baccaroles. Although they were pleasant and light, it's unclear to me whether these were selected for particular programmatic reasons (perhaps paintings of Venetian boatmen are common in the (russian art museum that stimulated MM?), thus connecting these pieces to the Mussorgsky (as would be implied by parallel construction in comparison to the first set) or perhaps as simple filler, as short favorites selected by JFO. In any case, all three were cheerful, but not particularly memorable to me. | ||
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- | _Pictures at an Exhibition_ on the other hand, had to do battle in my attention with half-remembered recollections of other interpretations of this work, namely, [Ravel' | ||
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- | {{tag> | ||
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- | [[2014-11-01|Back to the previous event!]] ☸ [[:# | ||