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2017:2017-02:2017-02-04 [2017/02/05 01:19] – randolo | 2017:2017-02:2017-02-04 [2020/06/14 23:54] (current) – external edit 127.0.0.1 |
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## Notes | ## Notes |
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Happily, this event was streamed live to [YouTube](https://www.youtube.com/watch?v=8gunG36u76I), and at least for the moment, you can watch it on your own viewing device. At present, there's plenty of dead air at the start and following the main event, but maybe they'll replace the live stream video with an edited version somewhere down the line. | Happily, this event was streamed live to [YouTube](https://www.youtube.com/watch?v=8gunG36u76I), and at least for the moment, you can watch it on your own viewing device. At present, there's plenty of dead air at the start and following the main event, but maybe they'll replace the live stream video with an edited version somewhere down the line. All of the pics posted on this page are low-res screen grabs from that stream: I'm sure it looks even better on a big screen, but I was too lazy to try that. |
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I can summarize my experience tonight by saying that I'm really happy that I attended. I loved hearing the music (it was playing quite loud in the theater ... at a warmly enveloping volume), and as I got used to the aesthetic of Lucinda Childs' choreography, I also really enjoyed watching the dancers. While the choreography for this dance was far more abstract and non-representational than Mark Morris' work, it's silly of me to have expected that the show would be anything like his. If there's one thing I've noticed over the years, it's that every choreographer seems to have a unique style or dance-language, and so must be appreciated on their own terms. I don't recall having seen Lucinda Childs' work in the past, but tonight's show certainly induces me to go see more! | I can summarize my experience tonight by saying that I'm really happy that I attended. I loved hearing the music (it was playing quite loud in the theater ... at a warmly enveloping volume), and as I got used to the aesthetic of Lucinda Childs' choreography, I also really enjoyed watching the dancers. While the choreography for this dance was far more abstract and non-representational than Mark Morris' work, it's silly of me to have expected that the show would be anything like his. If there's one thing I've noticed over the years, it's that every choreographer seems to have a unique style or dance-language, and so must be appreciated on their own terms. I don't recall having seen Lucinda Childs' work in the past, but tonight's show certainly induces me to go see more! |