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2018:2018-01:2018-01-07

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2018:2018-01:2018-01-07 [2018/01/10 13:47] – [One Set] randolo2018:2018-01:2018-01-07 [2020/06/14 23:54] (current) – external edit 127.0.0.1
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 Given his flat black, casual attire, my guess is that he was making a sort of anti-showman statement tonight: daring the audience to consider him for his rhythmic and musical talent rather than the flash and swagger typically associated with tap dancing. Given his flat black, casual attire, my guess is that he was making a sort of anti-showman statement tonight: daring the audience to consider him for his rhythmic and musical talent rather than the flash and swagger typically associated with tap dancing.
 +
 +Wondering about _A Love Supreme_? To me, it was VERY obvious, a rhythmic exploration of theme and variations on the ending portion of first movement, "Acknowledgement‎", of the classic Coltrane suite, tossed back and forth between the two performers, gradually diminishing in volume and drawing to a close with Savion watching Jack rattle quietly on his trap set.
  
 {{tag>music Jack_DeJohnette Savion_Glover Miner_Auditorium }} {{tag>music Jack_DeJohnette Savion_Glover Miner_Auditorium }}

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2018/2018-01/2018-01-07.1515617226.txt.gz · Last modified: 2018/01/10 13:47 by randolo