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2019:2019-02:2019-02-17

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Danish String Quartet at Alfred Hertz Memorial Concert Hall, February 17, 2019

Set One

[3:05 PM lights down, announcements, band out]

Haydn: String Quartet No. 25

Franz Joseph Haydn (1732–1809): String Quartet No. 25 in C Major, Op. 20, No. 2, H.III:32 (1772)

  1. [3:06 PM] Moderato
  2. [3:13 PM] Capriccio
  3. [3:16 PM] Menuet: Allegretto
  4. [3:23 PM] Fuga Allegro
    [3:26 PM work ends; applause; bows, off, back for more applause, off again]

    [3:28 PM; Greetings from Asbjørn, comments about the Webern piece]

Webern: String Quartet

  1. [3:31 PM] Anton Webern (1883–1945): String Quartet (1905)
    [set ends 3:49 PM]

Set Two

[4:07 PM lights down, band out]

Beethoven: String Quartet No. 16

Ludwig van Beethoven (1770–1827): String Quartet No. 16 in F Major, Op. 135 (1826)

  1. [4:15 PM] Allegretto
  2. [4:19 PM] Vivace
  3. [4:26 PM] Lento assai e cantante tranquillo
  4. [4:34 PM] Grave ma non troppo tratto – Allegro
    [4:34 PM; work ends]

Encore: Nielsen Mit hjerte altid vanker

  1. [4:36 PM] Carl Nielsen (1865–1931) Mit hjerte altid vanker (1919)
    [show ends 4:38 PM]

Performers

Danish String Quartet

  • Asbjørn Norgaard: viola;
  • Fredrik Oland: violin;
  • Frederik Schoyen Sjolin: cello;
  • Rune Tonsgaard Sorensen: violin.

Notes

The Danish String Quartet is definitely one of the top groups in their field – every time I've seen them I've been blown away by how good they are.

Today's choice work was the opening piece from Haydn: refined and elegant music at it's best. Which isn't to be slagging on Webern or Beethoven. Just expressing my appreciation for that first work.

I suppose I should add that by comparison, their treatment of Bach seemed a trifle light weight… perhaps a bit Haydn-like? I suppose it's a choice of taste. While other groups like to put a lot of sturm und drang into their performances of old Ludwig van B, it seemed to me that the Danes treated the 16th as simply another piece of drawing room music. Which isn't to ding them or their interpretation, only to point out that I though their relatively cool handling of the piece was quite different from the norm.

Sometimes it's interesting to look back, and I was surprised to note that when I saw them about five years ago, I also complained about their treatment of Beethoven. Must be a Danish thing, eh?

Program Notes or program notes

Rebecca Wishnia posted a laudatory review of the show at SFCV.

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2019/2019-02/2019-02-17.txt · Last modified: 2020/06/14 23:54 by 127.0.0.1