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2023:2023-04:2023-04-13

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San Francisco Contemporary Music Players at Dianne and Tad Taube Atrium Theater, April 13, 2023

Pre-concert talk

[7:07 PM] {‘How Music is Made’ featuring Artistic Director Eric Dudley in conversation with composer Brian Baumbusch}
[7:40 PM] {talk ends}

Set One

[8:02 PM] {Welcome from Richard Aldag, SFCMP Executive Director}
[8:04 PM] {pre-recorded house announcements}
[8:05 PM] {enter performers}

Nancarrow (arr. Ziporyn): Study No. 3a

  1. [8:06 PM] Conlon Nancarrow (1912–1997): Study No. 3a (1948) from the Boogie-Woogie Suite (1962), arranged for ensemble (2013) by Evan Ziporyn (b. 1959)
    [8:12 PM] {applause at end-work}

Performers

Baumbusch: Polytempo Music

[8:13 PM] {ED talk about Baumberg's piece while setup takes place behind him}
[8:16 PM] {concert tuning}

Brian Baumbusch (b. 1987): Polytempo Music (2023, world premiere)

  1. [8:17 PM] Pas de deux
  2. [8:21 PM] Heliks 45
  3. [8:25 PM] Counterclockwise
  4. [8:29 PM] Hourglass
    [8:35 PM] {set ends}
    [8:37 PM] {set break!}

Performers

Set Two: Salonen: Catch & Release

[8:49 PM] {performers getting ready for set two}
[8:51 PM] {concert tuning}
[8:51 PM] {applause to welcome ED}

Esa-Pekka Salonen (b. 1958): Catch & Release (2006, Bay Area premiere); score

  1. [8:52 PM] I. Tema
  2. [8:59 PM] II. Aria
  3. [9:08 PM] III. Games
    [9:17 PM] {set ends}
    [9:18 PM] {show ends}

Performers

  • Eric Dudley: artistic director, conductor;
  • Haruka Fujii: percussion;
  • William Harvey: trumpet;
  • Peter Josheff: clarinets;
  • Brendan Lai-Tong: trombone;
  • Jamael Smith: bassoon;
  • Richard Worn: contrabass.

Notes

Today's show was a good one for the pre-concert talk: Eric Dudley & Brian Baumbusch spent a lot of time going over the technical background behind what was going on in the music. I'm not sure that it helped me all that much as a listener once they were performing, but it gave me a lot to think about!

I enjoyed each of the pieces, but I was least happy with the one I was most interested in: from my seat up close, Ziporyn's arrangement of Nancarrow's Study No. 3a came off as rather unbalanced: the guitar on the left was much louder than the winds and strings at center and right, and nearly overpowered the boogie-woogie pulse of the piano (set up at the far left). Maybe I should have picked a seat further back from the stage?

Today's Baumbusch premiere was really a work-in-progress excerpt – it was truly the first live performance, but it was only 20 minutes of what's projected to be an hour-length piece. I found it interesting enough that I'll be looking for the full work to appear on a future program. Hopefully I'll be better able to follow Baumbush's polytempos in a second listen … there was so much going on today that I couldn't really latch on to any portion and tell myself, “yeah! that's what he was talking about!”.

Anyways, it was a fun show of unusual music, and I'm glad I attended.

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2023/2023-04/2023-04-13.txt · Last modified: 2023/04/17 22:03 by randolo